Those voices open the record’s first side in a cacophony of whispers as Badu admonishes herself about a laundry-list of unfinished tasks, nagging fears, and floating enigmas swirling through her mind (“I have to write a song… I have to remember to turn on the oven… warm up the apartment… Malcolm… Malcolm… I need to take my vitamin”). Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. It was nominated for two Grammys at the 2002 award show and was Badu’s first time entering the top 10 on the Billboard Hot 100. Rated #30 in the best albums of 2000, and #1049 of all-time album.. Erykah Badu (born Erica Abi Wright on February 26, 1971 in Dallas, Texas) is an American. When she stepped into New York’s historic Electric Lady studios in 1999 and began recording her much-anticipated sophomore album, Erykah Badu had her finger to the wind. And most crucially, all three featured MVP player Questlove acting improvisationally at the center of an alternative black pop universe at the turn of the millennium, one with clearly nostalgic tenets that nonetheless held fast to present communal concerns and future Wonder-inflected aspirations. It’s a song that also eschews woman vs. woman “bad blood” posturing in favor of extolling shrewd observations about the crazy things patriarchy makes women do to each other. That she did so while enlisting soul legend Betty “Clean Up Woman” Wright to contribute vocals drives home the ways that she yokes together gender solidarity and black uplift politics in the 2.0 version of her career. Mama's Gun, an Album by Erykah Badu. With its looped sample of Stevie’s “Ordinary Pain,” “Penitentiary Philosophy” stays focused on the perils and corrosive effects of streets that don’t love you, streets that can trap you. Here in Badu’s version of “My Life,” as on other tracks, she stalls to figure out a plan (“Standing downtown… tryin to figure out a way up out of this town”) and vows that “one day” she’ll be “flyin’ high.” Songs of strength and self-worth like her “Cleva” chronicle a moment when artists like India.Arie were using their music to reject Eurocentric beauty standards in pop (on 2000’s “Video Girl”) and megastars TLC were waxing contemplative about self love rather than outer beauty (on their 1999 track “Unpretty”). One record is scarlet, while the second is gold. The project was remastered by Barry Grint at Alchemy Mastering. It is a journey into a deep and tender part of Erykah's soul; a place most would keep heavily guarded. Alles over Mama's Gun - Erykah Badu, CD Album en alle andere muziekalbums CD, Vinyl, LP… Words and Sounds Volume I), these were exciting times when black singer-songwriter musicians were referencing Black Panther memoirs, African-American Studies history books, and deep cuts from reluctant soul icons like Bill Withers. Badu continues to grow with Mama's Gun, her third release. Mama's Gun verdient niets … 95 MB +1. Each copy is signed. But it shouldn’t be forgotten that Badu entered the game being left of center. Long spells of anxiety and watchfulness would punctuate the year 2000, a pivotal period that sometimes gets lost in the shuffle when trying to pinpoint the origins of new millennium unrest and epic uncertainty. It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. The project was remastered by Barry Grint at Alchemy Mastering. The new Erykah isn’t teaching, she’s dealing with regular-person baggage. In the days after Voodoo dropped into the world, New York Times critic Ben Ratliff would famously describe the genre as “a mature music, and a family music, for living rooms, rather than for the streets.”. To the church they head for a spiritual revival to “let it go, let it go, let it go.” Badu’s Red Lady advises her sisteren to “pack light”—let go of the harmful elements of the past--or else “you gon’ miss your bus.” It’s a song that contemplates how to not let the baggage weigh you down and make you wait, and it offers a way forward for women of color (many colors here) by way of a text from the bygone 1970s black feminist renaissance era. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. In particular, Mama's Gun was a huge step forward for her not only as a creator, but also as a leading voice within the genre. E rykah Badu’s second studio album, Mama’s Gun, opens with the old-school funk of “Penitentiary Philosophy.”Badu declares her status as “a warrior princess,” urging us all to get along and “take all the funky tones and make up a funky song.” The album then goes on to prove that she practices what she preaches—or at least makes an admirable attempt. Ironically, it is Mary J to whom she most clearly pays homage on the aptly titled “My Life,” which swings with the hip-hop soul queen’s b-girl cadences. The inadequacies of institutional education—it’s inability to address the specific needs and concerns of black women—are put on blast as each “colored woman” shrugs her shoulders to the beat of Elevado’s mix and Badu’s own deft production. Erykah Badu - Mama's Gun: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen … It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. But Badu would consistently put her own bold and wickedly sharp twist on such themes. The breakout single from ‘Mama’s Gun’ was “Bag Lady,” a record about the freedom that comes with letting go. A neo soul album, Mama's Gun incorporates funk, soul, and jazz styles. Badu went through a high profile break-up with Outkast’s Andre “3000” Benjamin, the father of her first child, as she began to work on the album. For the 20th anniversary of ‘Mama’s Gun,” we collaborated with Vinyl Me Please for a special pressing of the album. She made a record that wore its awareness of the larger traumas and challenges that complicate human intimacy on its sleeves.

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